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Brushing the Dust Off an Old Label
June 30, 2004
By ERIC ASIMOV
NO matter how much you love the wines, it's not easy to
make sense of Burgundy. The region's organization is so
sprawling and its nomenclature both so confusing and
repetitive that many people, if given the choice of a
Volnay or a Vosne-Roman�e, settle for a nice Bordeaux.
One solution is to read a book, like Matt Kramer's
excellent "Making Sense of Burgundy." But most people would
rather enjoy wine than study it, and besides, a lot has
changed since that book came out in 1990.
More typically, people rely on brand names to ease decision
making. It's a marketer's dream when a beer drinker becomes
a Bud drinker, and brand names can take a lot of the
confusion out of wine buying. But brand names change, too,
and so do their connotations. Consider the case of Bouchard
P�re & Fils, one of the oldest names in Burgundy (not to be
confused with Bouchard-A�n� & Fils, another of those
maddening repetitions).
Perhaps 10 or 15 years ago, a discerning Burgundy buyer
might have skipped right by the Bouchard brand. Despite its
legacy - the firm had passed through nine generations of
family ownership since 1731 - the wines were often dull
assembly-line fare. The excitement in Burgundy was with the
small growers and producers, not the big names. But in
1995, the Bouchard family sold the firm to Joseph Henriot,
who began investing in improving the vineyards and
winemaking. The result has been a stunning revitalization.
The Bouchard comeback was on full display last week at a
dinner at Montrachet in TriBeCa, where Bernard Hervet,
Bouchard's managing director, brought with him a selection
of outstanding recent wines along with some older vintages.
Mr. Hervet, who joined Bouchard in 1989 under the old
regime, experienced the turnaround firsthand. Before
Bouchard was sold, he said, he did not have the budget to
improve the quality of the wines. Bouchard was suffering,
he added, because it did not remember what had made its
wines great in the first place.
"In the 1970's and 80's, Burgundy growers and n�gociants
forgot that without great grapes there would be no great
wines," said Mr. Hervet, a tall, lean man who looks like
the proverbial banker from Bordeaux rather than the earthy
Burgundian farmer. "They thought they could solve problems
in the vineyards with technology."
Liberated from budget constraints, and given the mandate to
improve, Bouchard replanted its vineyards, replaced its
cellar equipment and re-established its winemaking
philosophy.
"No huge wines," Mr. Hervet said. "It's a question of
balance. It's a shame to confuse length and power."
Hundreds of winemakers earnestly mouth similar words like
scripture, but tasting a selection of Bouchard's 2002's
made clear that these were sculptured, precise wines,
shaped for subtlety rather than power. The Beaune Clos de
la Mousse was light-bodied and elegant, with fruit aromas
that perfumed the air, a contrast with the more robust and
tannic Beaune Teurons. A Beaune-Gr�ves, with the evocative
name Vigne de L'Enfant J�sus, seemed to combine the
structure of the Teurons with the expressive fruitiness of
the Clos de la Mousse.
Perhaps the clearest indication of the changes at Bouchard
were the three vintages of Volnay Caillerets Ancienne Cuv�e
Carnot, from 1999, 1990 and 1964. The '99 was still a baby,
fresh and harmonious with aromas that reminded me of
truffles. The '64 smelled powerfully of truffles and
chocolate and still tasted pure and balanced. The '90 also
had truffle aromas, a signature of the vineyard, I guess,
but it was noticeably sweeter than the other two wines and
seemed vaguer, lacking their clear-cut lines.
To emphasize the effect of Mr. Henriot's ownership, Mr.
Hervet brought along three vintages of William F�vre
Chablis, from the grand cru vineyard called Les Clos.
F�vre's Chablis used to be notorious for their heavy oak
flavors, the last thing you would want to taste in the lean
and minerally wines of Chablis. That was before Mr. Henriot
bought the domaine in 1998. Now the wines are lively and
nuanced. "It was a pity, in my opinion," Mr. Hervet said,
expelling air with his cheeks in the French manner that
expresses exasperation and disbelief. "We completely
changed the style to be more pure, more minerally."
All of the wines we tasted were made from top Bouchard
vineyards. Bouchard's more modest wines, Mr. Hervet said,
are intended to be easy and uncomplicated, balanced and
fruity, requiring no explanation to enjoy.
As if to show that nothing can be truly predictable in
wine, we also tasted three vintages of Bouchard's
Chevalier-Montrachet La Cabotte, a white Burgundy from a
vineyard adjacent to the more famous and costly Montrachet.
One, a 1992, a pre-Henriot vintage, was every bit as lovely
as a 1997 and a 2000.
Nonetheless, the evolution of Bouchard is clear. It is not
just small domains that are making great Burgundy, and
Bouchard can now be placed with other n�gociants like Louis
Jadot and Joseph Drouhin, which despite their volume of
business keep their eyes on quality.
"Bouchard used to be a reference when Burgundy was showing
badly," Mr. Hervet said, "and I hope it's now a reference
when Burgundy is showing well."
http://www.nytimes.com/2004/06/30/dining/30POUR.html?ex=1089608017&ei=1…
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