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Which wine for holiday? Food-loving Champagne
Jon Bonn� Published 3:38 pm, Friday, December 6, 2013 SFGC 12/6/2013
Time for tiny bubbles again. But if you're relegating them to a quick toast at the
start of the evening, or a prolonged one at the stroke of midnight, you're doing it
all wrong.
Champagne makes for one of the most pleasurable wines to drink all evening long, and all
through a meal. This isn't new information, but it's too easily forgotten - and
especially worth remembering as we enter a season of parallel joy and stress, and endless
questions about which wine to serve.
So why not go back to an easy answer, one hard for even the most neophobic wine drinker to
hate? Bubbles, bubbles and more bubbles.
(That's hardly limited to Champagne, by the way. You can find our top domestic
recommendations here:
http://is.gd/usfizz13. But for the season's sheer festive
nature, we'll concern ourselves with the real thing, from France.)
Champagne is quite simply the most food-loving wine ever, for a variety of fairly esoteric
reasons. The natural carbonation keeps our palates fresh; the acidity works with a wide
range of flavors; and the range of textures and weights match everything from the most
delicate bit of sashimi to the thickest steak. The sheer diversity of Champagne styles
gives you endless options when it comes to food.
Reassurance on this front came, for me, in the form of several meals this year, including
at London's Kitchen Table and at New York's Contra, where the dizzying
progression of complex tasting menus led to a clear choice: one wine, con gaz, to carry us
through.
Not all Champagnes are created equal, however. The composition of the wine can come from
up to three grape varieties - Pinot Noir, Chardonnay and Pinot Meunier- and in a few
cases, several more.
While their exact roles were once considered evident - Pinot Noir brought precision and
structure, Chardonnay offered flesh and richness - those lines are now blurrier.
It's quite possible to have a rigid, lean Blanc de Blancs and a flourishy Blanc de
Noirs. And, thanks to emergent talents like Jerome Prevost, in the town of Gueux, Pinot
Meunier is trading a reputation as an also-ran for a welcome dose of respect.
Texture, too, is crucial when considering Champagne on the table. Not just the wine's
weight, but also the crafting of its bubbles - which should take a bit more of a backseat
when served with refined cooking.
The bubbles in sparkling wine should be refreshing, not aggressive. While Champagne has
long been seen as offering finer, more persistent fizz than most of its competitors, some
producers like Pierre Gimonnet, with his Cuvee Gastronome, and Cedric Bouchard of the Aube
region, bottle wines with slightly less pressure and a more supple texture.
Sommeliers, including those at the French Laundry, occasionally have decanted Champagne or
poured it into wide Burgundy glasses, for similar effect.
While that might be extreme, it's a savvy idea with a meal to forgo the usual flutes
and drink Champagne from a white wine glass, which will enhance its aromas.
There's a more subtle factor: dosage, the final bit of sugar that helps polish a
Champagne's flavors and textures. The Champenois fondness for adding a bit more sugar
has led to a backlash of sorts and a fondness for extra brut wines - which can be
wonderful, especially in the first half of a meal. (And sometimes throughout, in the case
of a talent like Emmanuel Brochet, in Villers-Aux-Noeuds, whose wines have a density of
flavor that hardly need dosage.)
But dosage isn't a simple science. A subtle, well-handled addition not only fades
into the wine's innate flavors but helps to amplify them just enough to help richer
food shine.
A wine like Henriot's Blanc de Blancs, with less than 10 grams per liter of added
sugar, can show flesh without losing focus. But the high levels of dosage in most widely
produced brut Champagnes make them more a cocktail than a wine for a meal.
With all that, how to make bubbles work through an entire evening? Some notes:
Starting a meal: It's hard to go much wrong here. Crisper styles, with less of the
yeasty presence of aging, are often in order. But especially if you're planning
something fresh, with citrus or raw fish, it's a time to let a Pinot-dominant wine,
like a Blanc de Noirs, show its particular virtue.
Fish and side dishes: A Chardonnay-based wine, especially a lightly dosed or extra brut
selection, can work beautifully - its mineral aspects matching the saltiness of good fish.
But if you're moving into fattier realms (salmon, halibut, mackerel), there's
much to be said for a wine with some Pinot Noir. It's a good moment for a spry,
lighter style - unless you've got a lot of butter in your sauce. And why
wouldn't you since it's the holidays?
Pasta: If you're making it at this time of year, chances are it's luxurious. The
more cheese you include, the more you'll want a rich, leesy style of Champagne -
perhaps a vintage Champagne from 2002 or 2004 with some extra aging. If there's pork
involved, some Pinot Noir or Pinot Meunier in the blend (in addition to our
recommendations, your retailer should be able to help with the composition of the wine)
will be welcome, doubly so in ros� form. Ros� Champagne and true spaghetti carbonara
should go down as one of the world's great treats.
The main event: That point in the evening when you're beginning to consider red wines
- roasts, rich stews and the like - is a time for the howitzers of Champagne. This could
be a matter of a full-throttle vintage bottling; it could be a style, like those of
Gosset, Bereche or Chartogne-Taillet, that ratchet up both some of the toastier aspects of
Champagne and powerful fruit flavors.
Better yet: Again, it could be a ros�. In the Champagne realms, ros� has the very opposite
effect as with still wine. It is a wine of gravitas and depth, in part because it's
often made by adding a touch of still red wine to a pale-colored Champagne.
That splash of color - and tannin - grounds the wine and provides the versatility of both
a white and a red.
By the time you step up to more stalwart ros�s, they easily match the slickness of goose,
sweetness of lobster or density of beef: ros�s from grand names like Krug and rarer
choices like Vilmart's polished Cuvee Rubis; or exquisite esoterica like the Oeil de
Perdrix from the Bouzy based house of Jean Vesselle, which approximates a 19th century
approach in its dramatic extraction of flavor from powerful Pinot Noir fruit.
Such is Champagne's great gift. Much as it should be enjoyed the rest of the year,
now is when its greatest charms pay off.
Beyond Champagne
While sparkling wine is made all over the world, the French options outside Champagne are
often overlooked. Cremant is made in many regions, but those in Burgundy and Alsace often
rival Champagne for mineral depth - and outperform on price.
NV Piuze Non Dos� Cremant de Bourgogne ($23, 12% alcohol): Chablis maestro Patrick Piuze
also works with bubbles, these from a vineyard in northern Chablis - a short hop away from
Champagne's southern boundary. An equal mix of Pinot Noir and Chardonnay, without
dosage, it's packed with both chalky minerality and a richer hazelnut presence.
(Importer: Aliane Wines)
NV Meyer-Fonn� Brut Extra Cremant d'Alsace ($24, 12%): This Alsatian house in
Katzenthal now has a sparkling entry on its roster, made predominantly from the
region's under-loved Pinot Auxerrois planted on well-drained granite soils.
There's both welcome astringency, like honeydew rind, and an olive-like richness,
something for oysters - baked or fresh. (Importer: Kermit Lynch Wine Merchant)
11 Champagnes for a holiday meal
NV De Sousa & Fils Cuvee des Caudalies Blanc de Blancs Brut ($90, 12.5% alcohol):
Erick de Sousa's wines typify the power of the Cote des Blancs, and this bottling
aged in barrel from 50-year-old vines is both muscled and contemplative: kombu, red apple,
tangerine cream, and a toasty macadamia aspect, with almost tea-like complexity to the
aromas and richness that keeps building as it opens. Disgorged January 2010. (Importer:
Charles Neal Selections)
NV Varnier Fanniere Cuv�e Jean Fanniere Origine Extra Brut Champagne($65, 12%):
Avize-based Fanniere often gets overlooked amid some better-known growers, but the polish
in Denis Varnier's Chardonnay-based wines is exquisite. Full of moss and Meyer lemon
aromas, and a precision that speaks less to the grape's opulence than its ability to
cut glass. Think fatty fish, doubly so in sashimi. Disgorged May 2013. (Importer: Terry
Theise/Michael Skurnik Wines)
NV Benoit Lahaye Ros� de Maceration Brut Champagne ($50, 12%): Now certified biodynamic,
Lahaye shows just how expressive great fruit from Bouzy can be - in his Brut Nature, but
also this ros�, on its skins for nearly a day, which explains its vibrant rosy hue, and
the intense fruit: currant, a thyme and rye-cracker savoriness. Distinctive, young and fun
- just right for lamb. (Importer: Charles Neal Selections)
NV Henriot Blanc de Blancs Brut Champagne ($60, 12%): This esteemed Reims house is often
better known for their straight brut, but their Chardonnay-based effort sourced from
throughout the Cote des Blancs and elsewhere matches a fruity apricot and biscuit side to
a distinct austerity on the palate. It's serious, lean Chardonnay, able to leap from
aperitif to creamy pasta. (Importer: Henriot Inc.)
NV Barnaut Ros� Authentique Grand Cru Brut Champagne ($49, 12.5%): Barnaut's ros� is
a great demonstration of the power of flavors from the town of Bouzy. The Pinot Noir is
strong in this one, which may not suit all tastes but is that elusive steak-wine
Champagne. A bit of tannin appears to bolster tangerine, raspberry, fern and deep mineral
accents, plus a rich pastry aspect, like a good Linzer torte. (Importer: Vintage '59
Imports)
NV Egly-Ouriet Brut Tradition Champagne ($85, 12.5%): Ambonnay-based Egly is always about
exuberance. The oak impact in this wine, mostly Pinot Noir from three grand cru villages
aged for over four years, underscores big, sinewed fruit flavors: deep orange and almost
chewy cherry fruit. Bubbles for a grand finale to a meal. Disgorged November 2012.
(Importer: North Berkeley Imports)
NV Serge Mathieu Tete de Cuvee Select Brut Champagne ($60, 12%): Isabelle Mathieu's
family has long worked in Avirey-Lingey, in the Aube - and theirs has rapidly become one
of the names drawing attention to this long-dismissed region. This focuses more on
Chardonnay, a relative rarity in the Aube, and there's remarkable finesse to the
bubbles, and a slight burnished quality of maple syrup and chestnut. The opulence is
matched by mineral freshness, sweet pastry notes and an orange-peel and mint leaf
liveliness. (Importer: Charles Neal Selections)
NV Moutard Pere & Fils Grande Cuvee Brut Champagne ($30, 12%): Moutard remains a
fantastic value that shows the potential of the Aube, and no different with this latest -
a tangy crabapple side, plus redcurrant, chestnut and a chalky austerity. A great way to
start an evening. Disgorged March 2013. (Importer: Grape Expectations)
NV Mark Hebrart Cuvee de Reserve Brut Champagne ($44, 12%): Despite being located in the
heart of the Marne Valley, Jean-Paul Hebrart often doesn't get his full due. This
Pinot-dominant bottle taps some great spots (Mareuil, Bisseuil) and outperforms: cutting,
fresh flavors of mandarin and apple skin, and a pastry-like sweetness. (Terry
Theise/Michael Skurnik Wines)
NV Laurent-Perrier Cuvee Ros� Brut Champagne ($100, 12%): For a somewhat larger house, L-P
takes its pink wine most seriously. There's intense strawberry and nectarine fruit,
with a chalky presence - and a deft hand with dosage that leads to precision. (Importer:
Laurent-Perrier U.S.)
NV A.R. Lenoble Terroirs Chouilly-Bisseuil Ros� Brut Champagne ($50, 12%):
Counterintuitively, a delicate rose to start a meal - mostly Chardonnay (plus still red
wine) from two villages known for their nuanced flavors. Delicate wild strawberry and
sweet orange flavors, and a mild pastry aspect. Fizz that whispers. (Importer: Atherton
Wine Imports)
Jon Bonn� is The San Francisco Chronicle's wine editor. Find more of his coverage
atwww.sfgate.com/wine. E-mail: jbonne(a)sfchronicle.com Twitter: @jbonne
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