OK, so just 5 ways... "top" is inferred.
5 ways to improve California wine
Jon BonnéSunday, July 3, 2011
Last Independence Day, I set out five themes to define California wine (see
sfg.ly/myxL7s). That seemed like a savvy July 4 tradition to continue, so I sifted through
my past year's notes to devise another five.
Again, these aren't about how to build a more perfectly generic Merlot. There are
about how independent vintners can carve a better path to the future.
And so, five more ways to continue the roll of innovation.
1. Take white wine seriously. There's a quiet cynicism about white wine - a school of
thought is that no serious wine drinker will dabble in it, aside from the occasional
overwrought Chardonnay.
Ridiculous. Sure, there have been failures of white-wine ambition - anyone still shelling
out for white Meritage? - and whites will always struggle for attention in a market where
Cab and Pinot get all the glory. But the seas of bad Pinot Grigio and Sauvignon Blanc, the
ho-hum Rieslings and all that bionic Chardonnay are sad testament to what California
vintners think of white-wine lovers.
Enough.
Some of the most compelling winemaking is taking place in white wine, whether it's
fermenting Sauvignon Blanc in small steel barrels to finesse its texture or the arrival of
old-vine white field blends from places like Sonoma's Compagni Portis vineyard. (Even
in the supermarket, a blend like Big House White acknowledges the potential of
forward-thinking whites.) There's ever more energy behind Vermentino and Grenache
Blanc and Albarino, any of which could make a bid to transcend their niche status.
The wine-drinking world has signaled that red-wine bias isn't there; Nielsen Co. data
show as much white being bought as red (55 million cases this past year). So give whites
their due.
2. Stop the AVAs. What was the original purpose of an American Viticultural Area? To
delineate somewhere with unique winegrowing properties.
Point being, there was a time when you made wine, built a reputation for a locale and then
tried to get that reputation protected by law - usually in order to preserve your
franchise. Now the appellation application comes first; if you're lucky, reputation
follows.
You might agree that newly approved Coombsville has earned a reputation as a happy slice
of Napa. Maybe the Annapolis area of the Sonoma Coast has ample cachet. But has the Lake
County area of Big Valley (southeast of Lakeport), now preparing to submit its
application, set the world alight? Not to target them; dozens of obscurities dot the AVA
map. (Quick: Where's Covelo?) Even the federal government seems to be wary of the
hinky politics behind the flood of applications.
The geography geek in me has a soft spot for AVAs. Wine is all about place, and a
regulatory system exists to affirm that. But let's momentarily pause and return to
the hard part: building a reputation that earns a place name on a bottle.
3. Let the Pinot thing go. So Pinot was - maybe still is - the next great hope for
California wine. The best of California Pinot has unquestionably earned a place at the
table with Burgundy. We know that consumers want a $10 bottle of Pinot, and we know what
might be required to make that happen (see sfg.ly/9M1nBE ).
Now let's move on. Pinot was always meant to be special; the best way to honor it is
to stop trying to turn it into confected, cheap wine. Let's exalt the beauty of
grapes that do well in a $10 bottle rather than trying to use silk to sew a dishrag.
In other words, let Pinot go back to being Pinot. Find another grape to overexpose. That
probably will be Malbec, though let's pray that California doesn't think
it's wise to take on Argentina in a race to the bottom.
4. Redefine the estate. A great tragedy of California's Wine Country is the
ridiculous price now required for an enterprising vintner to buy a little slice of heaven.
The prospect of an estate winery, which contains its own vineyards, has become a bauble
for the well-off or well-financed. Thus we have lived for at least a decade amid a
disconnect, in which those with the knowledge to make amazing wine are often the least
able to control that process from budbreak to bottle - which might be why "estate
bottled" has fallen into irrelevancy.
I won't be so foolish as to suggest that land prices spin down. But those making wine
in warehouses and sheds are trying harder than ever to control their entire farming
process; consider arrangements like those made by the owners of the tiny Anthill Farms
label to help farm the Abbey Harris site in Anderson Valley. You may not own the soil, but
just as leaseholding has long existed in France's vineyards, you can still work it
yourself.
One of the most stubborn gaps in California wine is between grower and winemaker. With a
new generation of winemakers who very much want to farm, but can't acquire their own
land, now's the time to reconsider that gap by encouraging winemakers to hop on the
tractor.
5. Simplify. Winemaking costs money. Want wood flavor? Those oak chips (to say nothing of
barrels) add to the bottom line. Picked at the wrong time? All that de-alcoholization and
acid addition is an added expense.
In the spirit of giving a nickel for each time "great wine is made in the
vineyard" has been uttered, it's time for winemakers to practice the essence of
that phrase - and simplify their jobs.
So: Grow better fruit (or work with growers to improve their practices) and fine-tune your
picking decisions; aim for a balance of flavor so that fruit doesn't need to be
tweaked in the winery; put your basic wines in simple steel tanks and your fancy stuff in
whatever you think it requires; stop turning every wine into a science project. Have faith
that California can grow fruit that requires no repair.
Of course there are vintages that go awry and need high-tech help. Witness Germany's
2010 vintage, when outrageous acid levels forced many noninterventionist winemakers to
de-acidify, usually with aghast looks on their faces. But these efforts should be a rare
exception, not the rule.
The bonus? You'll spend a lot less money fixing bad decisions later.
Jon Bonnés The Chronicle's wine editor. Find him at jbonne(a)sfchronicle.com or @jbonne
on Twitter.
http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/03/FDR71K4B5H.DTL