Warren Gregory has sent you an article from Slate Magazine
<http://www.slate.com> .
this article appeared in Slate and is a good summation of what's broken
in the French AOC system. discuss amongst yourselves Warren
<http://letters.slate.com/W0RH020B9669EDE063B3630DEEC1A0>
drink
<http://letters.slate.com/W0RH0208EC89FCFB9593E30D20DEA0>
How Bureaucrats Are Wrecking French Wine
It's time to throw out the rule book.
By Mike Steinberger
Posted Friday, Aug. 22, 2008, at 6:13 PM ET
Jean-Paul Brun, one of the leading winemakers in the Beaujolais region
of France, is just weeks away from picking this year's grapes, but he is
also dealing with a major hangover from last year's harvest: Most of the
2007 version of his signature red, the L'Ancien Vieilles Vignes, has
been denied Appellation d'Origine Contrôlée, or AOC, status.
The AOC designation is the highest in French winemaking. AOCs are
geographic zones within which certain types of premium wines are made.
Wines produced in these areas are not automatically entitled to
advertise their noble roots; in order to claim the AOC imprimatur, they
must, among other things, pass a taste test meant to ensure that they
conform to the standards of the appellation—that they exhibit sufficient
typicité. Two of the three samples of the '07 L'Ancien that Brun
submitted were rejected because they allegedly had off aromas, even
though they were the exact same wine as the third, approved sample, and
I'm unaware of anyone else who has tried the '07 L'Ancien and found it
to be anything but delicious. Brun has thrice appealed the verdict and
lost every time, and the result of a fourth and final appeal is expected
next month. If the original judgment is upheld again, around 5,200 of
the 7,500 cases of the '07 L'Ancien will have to be sold as vin de
table. That's the lowest classification in French wine and one that
permits neither the vintage nor the appellation name (in this case
"Beaujolais") to appear on the label, omissions that could seriously
impede sales.
It is possible Brun is the victim of an innocent mistake or one aberrant
decision. However, this sort of thing keeps happening to talented French
winemakers. In recent years, stars like Jean Thevenet, Didier Dagueneau,
Eloi Dürrbach, Marcel Lapierre, Thierry and Jean-Marie Puzelat, Marcel
Richaud, Georges Descombes, and Philippe Jambon have all had wines
turned down for being insufficiently representative of their respective
appellations. So they were: They were excellent wines produced in
districts that mostly churn out swill. This curious trend comes at a
time when much of the French wine industry is in crisis, and the
economic gap between good producers and not-so-good ones is becoming a
chasm. The taste tastes are conducted by committees made up of
appellation insiders, and in any given year, 95 percent to 99 percent of
the wines submitted are approved. The evaluations are done blind (that
is, the names of the producers are concealed), but in light of all these
facts, it doesn't take a conspiracy theorist to wonder what exactly is
tripping up vintners like Brun. This much is clear: The system for
classifying and administering French wines is broken and in dire need of
reform.
Controlled appellations were formally introduced in France in 1935. They
were, firstly, an effort to map out the boundaries within which various
wines, such as Châteauneuf-du-Pape, could be made and to keep these
names from being used elsewhere. As such, they were also meant to be a
form of consumer protection—an assurance that what was on the label
corresponded with what was in the bottle. More broadly, creating
appellations was an attempt to codify what centuries of trial and error
had established: that wine was chiefly a product of the land, that some
vineyards were superior to others, and that matching the right grape to
the right site was the route to good wine. The aim, in other words, was
to give the concept of terroir the force of law. It is frequently
claimed that the AOC imprimatur was never intended to be a guarantee of
quality, but that isn't true; according to Hervé Briand, an official
with the Paris-based Institut National des Appellations d'Origine, the
people who conceived the appellation system did indeed view it as a
quality-control mechanism, and only the finest vineyards were supposed
to be eligible.
As such, appellation status was conferred sparingly in the early years.
By 1940, there were only between 100 and 150 appellations (precise
figures are hard to come by), and the number grew incrementally over the
next several decades. Through the 1950s and '60s, fewer than 20 percent
of French vineyards fell within AOCs. But in the 1970s, regulators
decided that putting more vineyards (and therefore more wines) under the
AOC umbrella was the way to ensure continued French domination of the
global wine market. This proved to be a disastrous move, one that has
completely diluted the AOC concept. There are now 474 wine appellations,
encompassing more than 50 percent of all French vineyards and accounting
for 45 percent of France's total wine production.
But it isn't just the vastly increased number of appellations that has
undermined the overall caliber of AOC wines; it is also the way in which
the appellations are governed. The rules vary from appellation to
appellation, but they cover just about everything a winemaker does in
his vineyard and cellar—from planting density to harvest dates to crop
yield. In theory, all these edicts promote quality; in reality, they
often serve to undermine it, and that's because of how they are applied
and by whom. It is often assumed that the wine industry, like other
sectors of the French economy, is micromanaged by bureaucrats in Paris.
The INAO does oversee the appellation system, but as wine writer Tyler
Colman (a friend of mine) notes in his informative new book, Wine
Politics, viticulture is an exception to the norm in France, in that it
is mostly administered locally by the winemakers themselves. This
arrangement, plainly fraught with conflicts of interest, has had onerous
consequences.
In some appellations, the boundaries have been extended to include land
not fit for making decent wine. Yield limits are now routinely flouted
in many appellations, and a number of them also permit mechanized
harvesting, which is a surefire way to produce rotgut. Then there are
the taste tests, whose results are about as trustworthy as Zimbabwean
presidential elections. In a survey released last year by the French
consumer group UFC-Que Choisir, wine industry insiders acknowledged that
as many as one-third of all AOC wines were undeserving of the
distinction. Local control, combined with reckless growth, has been a
disaster, and the wine-buying public has taken note. In the past decade
or so, the French share of the global wine market has declined sharply.
Fine cabernets and chardonnays are being produced around the world
nowadays, and while the most celebrated French wines—the Romanée-Contis
and the Latours and Lafites—are more popular and expensive than ever,
the market for many lesser ones has all but dried up. Alain Bazot,
UFC-Que Choisir's president, summed it up well: "For years, there has
been a steady fall in the quality of many AOC wines which has completely
undermined the confidence of consumers in the system." This, combined
with the continued decline of domestic consumption in France (it has
plunged 50 percent over the last four decades), has left thousands of
winemakers in danger of losing their livelihoods. La crise viticole, as
it is known, has hit the two lowest categories, vin de table and vin de
pays, hard, but it has also driven many AOC vintners to the brink.
But rather than seeking to root out the bad wines and incompetent
producers, some appellations seem to be punishing the good ones, and it
appears that Brun, who owns an estate called Domaine des Terres Dorées,
is the latest target. Brun fashions classic, lip-smacking Beaujolais,
the sort that is increasingly difficult to find in an area drowning in
cadaverous, insipid wines. The dismal quality of so much of the output
in Beaujolais goes a long way to explaining why the region is mired in a
slump that, by some estimates, is likely to put 30 percent to 50 percent
of its winemakers out of business. In a rational universe, Brun would be
considered a local hero and a beacon to his neighbors. Unfortunately,
viticultural France is not such a place.
Joe Dressner of Louis/Dressner Selections is Brun's U.S. importer and
also represents a handful of other winemakers who have run afoul of the
wine commissars. Dressner thinks the '07 L'Ancien will find buyers but
says it will have to be sold mainly through specialty shops that have
the time and desire to explain to clients why it is no ordinary vin de
table. Dressner is hopeful that reason and logic will one day reconquer
France's vineyards, but he believes that the appellation system, in its
current form, is a joke. "I don't care if some guy in Vosne-Romanée [an
appellation in Burgundy] makes swill, but I do care if he is making it
impossible for winemakers there to do otherwise," Dressner told me by
phone from France. "I think they should just let the market decide
what's good or not good."
I agree. When it comes to the AOC system, I've become militantly
libertarian—which is to say, I think the taste tests and most of the
regulations ought to be dropped. (If the Cato Institute ever branches
out into wine studies, consider this my application.) The AOC
designation should serve one purpose: to indicate a wine's place of
origin. Beyond that, and apart from a few basic rules guarding against
fraud, vintners should be left to decide for themselves how they work,
and it should be left to the market to decide whose wines reflect well
on an appellation and whose do not. There is a lot of talk about
overhauling the AOCs, but it is delusional to believe that the French
government is capable of fixing the problem. As one Bordeaux official
recently told the Wine Spectator, "Proposing important agricultural
reforms yet rarely putting them into practice is a great French
tradition." Even if Paris were to come up with a sensible plan—and any
sensible plan would necessarily include a sharp reduction in the number
of appellations—it would likely run into insurmountable, possibly even
violent <http://www.iht.com/articles/2008/06/26/europe/fuel.php>
opposition. The protracted, farcical battle
<http://www.nytimes.com/2008/07/24/world/europe/24bordeaux.html?n=Top/Re
ference/Times%20Topics/People/E/Erlanger,%20Steven> over efforts to
update the chateaux rankings in Bordeaux's Saint Emilion appellation is
indicative of just how deep resistance to change runs.
No doubt, the idea of scaling back the significance of the AOC
designation would strike many in France as blasphemous. As Tyler Colman
pointed out in an e-mail, even the most laissez-faire, freethinking
French vintners consider the system sacrosanct. But rigid
classifications and bureaucratic red tape are not the source of France's
viticultural glory; it is the quality of the land (some of it, anyway)
married to a centuries-old winemaking tradition. Moreover, if the logic
undergirding the appellation regime—the idea that certain grapes pair
better with certain sites than others—is true, why does it need legal
enforcement? Hundreds of years of experience have demonstrated that
pinot noir flourishes like no other grape in Vosne-Romanée. Is Domaine
de la Romanée-Conti, which is located in Vosne-Romanée, suddenly going
to rip up its pinot vines and replace them with cabernet sauvignon if no
longer prevented from doing so? Pinot noir is what works best in
Vosne-Romanée, it is what oenophiles want from Vosne-Romanée, and that
is not going to change anytime soon.
True, Vosne-Romanée is a successful appellation where the qualitative
bar is set high, consumer demand is strong, and producers are generally
doing well. The fear is that if the rules are swept away in appellations
that aren't so prosperous, part of France's rich viticultural heritage
might be swept away in the process. But many of the ailing appellations
don't have illustrious pasts, and whether they do or they don't, the AOC
mechanism can't sustain vintners and regions that ultimately can't
sustain themselves. In too many places, it has become a drag on quality,
promoting lowest-common-denominator winemaking at the expense of good
winemaking. Fortunately for the competent producers, the market
increasingly holds the whip, and thanks to the proliferation of wine
criticism and the advent of the Internet, it is becoming ever-more
efficient at identifying and rewarding excellence and punishing failure.
That's why millions of bottles of insipid French wines now go unsold
each year and why (sadly but unavoidably) hundreds of vintners are going
bust. But it is also the reason why those 5,200 cases of the '07
L'Ancien won't necessarily be collecting dust in Brun's cellar if his
last appeal is rejected. More and more, the market is treating AOC
status as simply a geographic indication—a wine's birth certificate.
French officialdom should do likewise.
Mike Steinberger is Slate's wine columnist. He can be reached at
slatewine(a)gmail.com.
Article URL:
http://www.slate.com/id/2198405/
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