High-octane wines may just be a matter of taste
Jon BonnéSunday, March 8, 2009
Bottles of Ridge Zinfandels, including the 1970 Jimsomare...
It happened again last week as I tasted one of those hulking specimens of the Veneto, the
2003 Dal Forno Valpolicella Superiore. Made from intentionally dried grapes and from a hot
year, it clocked in at 15 percent alcohol. Yet there was moist earth and nuance, plenty of
fresh cherry fruit. Modest? No. But certainly not out of balance.
And so returned all the old questions about alcohol levels. With standard bottles now
routinely at 14 percent and beyond, is high alcohol the new normal?
The particulars of this complaint are familiar, down to the typical plea to return to a 12
percent standard. I should know; I've made it many times. It raises hackles. When
Sacramento wine sage Darrell Corti took a stand against wines over 14.5 percent, the wine
hordes were energized, enough for Robert Parker to step forward and call the move
"appallingly stupid." But these days the complaint can as likely come from those
under 40 as those over 65. An apparent Boomer preference for big wines is getting squeezed
from both sides.
The temptation is to set a rigid rule, as though the 14 percent divider could stand as a
magical Maginot line for booziness. Truth cannot be found between 13.9 and 14.1.
And if California wines are frequently a stalking horse, the larger world is more
complicated. Many oversized wines can be perfectly balanced. Spanish Garnacha easily soars
toward 15 percent without flinching, merely a reflection of that grape's high-sugar
tendencies. In Chateauneuf-du-Pape, 14 percent is now merely a departure point. Many of
these are virtuously grown wines from old vines without new oak or fancy winemaking.
Zinfandel functions fine in these upper realms - and not just in the modern, pumped-up
style. The 1970 Ridge Vineyards Jimsomare clocked in at a husky 15.8 percent, and that
from circa-1900 vines near the Monte Bello vineyard, where Cabernets barely scrape past 13
percent. The Sforzato wines of Valtellina, from dried Nebbiolo grapes grown in the shadow
of the Alps, retain the brightness of that variety's high-acid ways; an example like
the Nino Negri 5 Stelle can muster 15.5 percent without losing its balance. Even
Spatburgunder (Pinot Noir) from Germany's Ahr Valley, one of the world's
northernmost sites for red grapes, can hit 14.5 percent. At the same time, many wines
below 14 percent wear their alcohol overtly, often when the wine tastes manipulated.
Is this a matter of sensitivity? We all perceive alcohol differently; it may be sweeter or
more bitter. Genetics and familiarity play a role. I thought there might be
straightforward research about whether the alcohol argument is really a matter of taste.
I'm still searching.
All that said, many wines have clearly become too alcoholic. No matter the amount of
postgame patching; you can't grow grapes to 31 Brix (a measure of sugar) for a dry
wine and not do damage. Pinot Noir at 15 percent and beyond almost inevitably tastes
aberrant - as in blazing-hot 2003, when some Oregon vintners chose to land above 15
percent rather than surreptitiously add water. The results were drinkable, but dull.
Alcohol certainly isn't necessary to achieve amplitude. The makers of Muscadet in the
Loire Valley long ago realized that leaving their efforts on the lees (yeast and grape
residue) for long spells could transform wan white wines into something more subtle.
I'm still marveling at a tank-aged 2007 Gruner Veltliner by Austria's Bernhard
Ott that radiated opulence at just 11.5 percent alcohol.
Careful farming and low yields can help achieve intensity without heat. One reason
biodynamic wines have such appeal is that they require attentive, old-fashioned farming.
Old, head-trained vines achieve a different effect - high alcohol without loss of balance.
Other theories abound: that wine yeasts are far more effective now, boosting alcohol. But
yeast makers vehemently dispute the super-yeast theory. Plenty of naturally fermented
wines face similar inflation issues.
Did I mention this is complicated?
Here's what we know. Alcohol is a reflection of ripeness, and grapes are riper now
than when many 12-percenters came of age. That's partly about changing climate, of
course, but also the efficiencies of modern grapegrowing. While deliberately
alcohol-driven wines collect scores for power - if not grace - many unintentionally
high-octane wines can retain their subtleties. They're not steroidal; they're
just big-boned.
Have I become an apologist for high alcohol? Lord, no. But building a barrier at 12
percent doesn't help to understand wine as it exists today. When we can put alcohol
levels in context, we'll have done ourselves an enormous favor.
Jon Bonnés The Chronicle's Wine editor. E-mail comments to jbonne(a)sfchronicle.com
http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/03/08/FDJ415SU15.DTL
This article appeared on page E - 7 of the San Francisco Chronicle
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