California Wines Score Style Points
By ERIC ASIMOV
The polarizing years of California wine are over. No longer can its styles be summed up in
a descriptive phrase or two, like plush, concentrated cabernet sauvignon; lush, jammy
pinot noir; buttery oak-bomb chardonnay; or extravagantly ripe, blockbuster zinfandel.
Those dominant styles gave the impression of a monochromatic wine culture, in which more
was good and even more was better. Many people embraced these wines and still do. But a
significant minority dismissed them and California wines in general, though in truth, a
careful search could have always turned up producers who valued finesse and subtlety but
were largely ignored by critics.
Now California can be characterized by its stylistic diversity. Partly, this is because of
a widening and maturing of consumer tastes. These days, the public is less reliant on two
or three dominant wine critics who essentially share the same perspective. More important,
though, a new wave of energetic California winemakers has helped to push stylistic
boundaries while bringing more attention to older producers who had been considered behind
the times or out of fashion.
These newer producers have been shaped by the same worldwide diversity of wines as their
audience. They have been inspired not just by Bordeaux and Burgundy, Napa Valley and a
neighboring producer whose wines received 100-point scores. Instead, they.ve looked to the
traditions of northeastern Italy and the Jura, of Galicia and Sicily, of the Rh�ne Valley,
Slovenia and many other lesser-known regions that make this moment so exciting for wine
lovers. Their aim is not to slavishly copy these wines, but to be loyal to their
inspirations while reflecting their California origins.
Some of these new-wave producers have been recognized as stars in their own right, like
Arnot-Roberts, Copain, Scholium Project and Wind Gap. Many others are on the rise,
gradually gaining attention as their wines are tasted and their names passed around. Few
own land yet, and if they do it.s in less-acclaimed regions. Most buy grapes from trusted
vineyard sources. Many, in fact, have full-time jobs in the wine industry and make their
own wines on the side.
They exist, and excel, largely outside the realm of the familiar wine authorities whose
scores in the past could have made or broken a winery. Most make small amounts of wine,
and so particular bottles are often difficult to find. Here are 10 of them, in
alphabetical order, all producers worth seeking out in case you spot them in a store or on
a restaurant wine list.
Bedrock Wine Company specializes in intense wines made from very old vines, with the aim
of capturing and expressing California.s wine heritage. Its zinfandels are simultaneously
powerful, richly fruity yet agile and well balanced, perhaps not surprising since Bedrock
was founded by Morgan Twain-Peterson, son of Joel Peterson, the founder of Ravenswood, a
signature zinfandel producer. I especially like Bedrock.s Ode to Lulu ros�, made of
old-vine mourv�dre in the Bandol style, fresh, vibrant and lightly floral with an
underlying savory note and a steely spine of acidity.
Birichino, a new venture from alumni of Bonny Doon Vineyard, makes wines from
Mediterranean grapes grown on the Central Coast and in Lodi. I.ve yet to have the ros� or
the malvasia Bianca, but I loved its 2011 grenache from the Besson Vineyard; fresh,
fragrant, sweetly fruity and deliciously spicy.
Broc Cellars makes excellent, nuanced, reasonably priced wines from a variety of sources,
including zinfandel and Rh�ne-style grapes, but I especially enjoyed a spicy, gently
fruity, slightly herbal cabernet franc from Paso Robles. Chris Brockway, the winemaker, is
also involved in Broadside, which makes a terrific, reasonably priced cabernet sauvignon
from Paso Robles that is a great value.
La Clarine Farm makes wines that are alive in the glass. Hank Beckmeyer and Caroline Hoel
own land in the Sierra foothills, which they farm according to the principles of the
Japanese agricultural philosopher Masanobu Fukuoka. They purchase grapes from like-minded
farmers. I love their minimalist approach in the vineyard and the cellar, and I.ve loved
all their wines, whether mourv�dre, ros� or the 2011 Piedi Grandi, a blend of nebbiolo,
mourv�dre and syrah that is precise, savory, juicy and just plain delicious.
Dirty & Rowdy, a side project of two couples in the wine industry, makes the sort of
wines you cannot mass-produce . naturalistic, hazy to the point of cloudy, with whites
made somewhat in the style of reds so that you can feel the tannins. The 2011 s�millon, a
grape with much untapped potential, was brilliant, with a lip-smacking texture and subtle
aromas and flavors that kept me coming back for more. There.s also a mourv�dre, a grape
that, like the s�millon, is rewarding renewed exploration.
Donkey & Goat winery has its own manifesto, and how can you not love a winery with a
manifesto? This husband-and-wife team (don.t ask which is the donkey) does a fine job of
abiding by its minimalist principles. I.ve enjoyed many of its Rh�ne-style wines,
especially its Prospector mourv�dre . there.s that grape again . a powerful yet balanced
wine with savage dark fruit and a refreshing, savory edge.
Kesner Wines is the creation of Jason Kesner, who has quite the day job. He.s the
assistant winemaker and vineyard overseer at Kistler Vineyards, a trailblazing Sonoma
producer of chardonnays and pinot noirs. Under his own label, he makes excellent
chardonnays and pinot noirs that are models of precision and restraint, as well as a
grenache and a red blend.
Martian Ranch and Vineyard uses a variety of Spanish and French grapes to produce wines
that are otherworldly in their calibration and deliciousness . fresh, refreshing, complex
and intriguing. I have especially liked the lively albari�o and the beautifully fragrant
grenache blanc. Why Martian? The proprietor, Nan Helgeland, named Martian Ranch after her
sons, Martin and Ian. Disappointingly prosaic? Perhaps. As the Web site says, .The Martian
seen occasionally on the premises is as much a mystery to her as it is to anyone else..
Massican makes a captivatingly refreshing white out of ribolla gialla, tocai friulano and
chardonnay, as well as a chardonnay and a sauvignon blanc, which demonstrate that Napa can
do crisp and lively as well as weighty and powerful. By day, Dan Petroski is the winemaker
at Larkmead, a historic property that makes fine if conventional Napa Valley wines. At
Massican, Mr. Petroski shows a fascinating alternative side of Napa.
Matthiasson is another example of the antithesis of Napa Valley.s glamorous side. Steve
and Jill Klein Matthiasson are farmers, essentially . he is a leading vineyard consultant
. and their wines bear an agricultural stamp, as fresh, lively and alive as the best
produce from a farmers. market, made from grapes that they either grow themselves or
monitor before they purchase. Their wines are a pleasure, whether Friulian varieties
blended with s�millon and sauvignon blanc, straightforward chardonnay, an unusual refosco,
a shapely merlot or a mouthwateringly tangy ros� made from syrah.
I haven.t even mentioned Anthill Farms or Ceritas, Los Pilares or Petrichor Vineyards,
Natural Process Alliance or Lioco. Nor should old-timers be forgotten, like Edmunds St.
John and Qup�, Porter Creek and Corison, Clos Saron and Ojai, Au Bon Climat and Littorai.
California is an awfully big wine-producing world. It.s time to embrace it.
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* Dr. James Ellingson, jellings(a)me.umn.edu *
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